Kshetra Yatra Day 3

We overslept a bit. We were supposed to be up at 4:30am and to watch the day's first sunlight from inside the temple. By the time I came to, it was 5:30 already and my friends were all fast asleep. We woke up one by one and got ready by around 6:45.


The huge Rajagopuram is visible in this picture I took.

Hurrying to the temple, we saw the magnificent icon of Garuda first, flanked by murtis of Angada and Sugreeva. This huge Garuda is in a sitting position with his palms anjalibandham. The idol is always wrapped in a white dhoti from the waist down. We then proceeded inwards to receive Namperumal's darshanam. Passing through the many prakarams of the temple, we finally saw Namperumal in the company of his consorts, Lakshmi Devi and Bhumi Devi. They are a sight to behold.

The legend of Srirangam

Stepping outside the Gayatri Mandapam, we worshipped the vimanam, itself called the 'Ikshvaku Kula Dhanam'. The Rangavimanam was the vehicle in which Narayana appeared to Brahma at the beginning of creation. Brahma circumambulated the Rangavimanam chanting the four Vedas. The story goes that it was Ikshvaku, the ancestor of Sri Rama, who brought the Rangavimanam from heaven onto the earth. Many generations later, after the Rama-Ravana war, Sri Rama gifted the Rangavimanam to Vibhishana and asked him to take it back to Lanka, of which Vibhishana had just become king. Passing through Bharatavarsham, Vibhishana stopped at the banks of the Kaveri to perform the 'ucha puja' (afternoon puja) on the vimanam

Chola legend says that one of the Adi Chozhas, Dharma Varman, asked Vibhishana for permission to conduct a grand festival to celebrate the vimanam's coming to Chozha Nadu. He agreed, but at the end of the 12 day utsava, Vibhishana found that the vimanam would not move from its place. Ranganatha Swami appeared to him and told Vibhishana that he wished to stay on the banks of the Kaveri and instructed Vibhishana to return to Lanka. He did so, and Dharma Varman constructed the first structures of the Srirangam temple, placing the vimanam on top of the temple. Out of love for Vibhishana, the main deity faces the south in this temple, quite uncommonly.

After our darshanam of Namperumal, we went to the various sub-sannidhis in the temple. We first visited the sannidhi of Annamurti. Then came Kampathadi Anjaneyar, a manifestation of Hanuman.

Azhwar Mahatmyam

Stepping outside the innermost prakaram, we went to the shrine of Madhurakavi Azhwar, the author of the Kanninun Siruthambu. In this shrine there were three icons. In the centre was Sathagopan, that is, Nammazhwar, and on his right side was his dasan, Madhurakavi Azhwar. On his left stood Thirumangai Azhwar.

The Azhwars, for those unaware, are 12 highly realised souls who sang of the glories of Mahavishnu in Tamil. In total, they sung about 108 kshetrams, which are now called the Divya Desams of Vishnu. Most of these are in Tamil Nadu and Kerala. Foremost among the Azhwars is Sathagopan, or Nammazhwar, who was born deaf and mute but was given hearing and speech by the Lord upon meeting his disciple, Madhurakavi Azhwar. Sathagopan went on to translate the Samavedam into Tamil, calling it the Tiruvaymozhi.

Madhurakavi has sung only 11 hymns (pasurams) of the total of 4000 of all the Azhwars. Yet he is accorded a special place among them for a single reason. Unlike the others, Madhurakavi Azhwar did not sing of Mahavishnu directly or of any grand temples. His pasurams are all about his teacher. He saw God in Sathagopan and dedicated himself entirely to his service. Madhurakavi is therefore the epitome of gurubhakti. Recently, his 11 pasurams have been put to music in an incredibly beautiful way by the Perumal and Providence project along with Ashwath and Sumesh Narayanan.

Other sannidhis

At the southwestern corner is the shrine of Chakrathazhwar. This is none other than Sudarshana Murti, the disc of Mahavishnu. Behind Sudarshana Murti stands the ferocious Yoga Narasimha, the Adiyogi in Vaishnava tradition.

On the western side of the fortifications one can see the Vasanta Mandapam of Namperumal. It was closed to the public at the time of our visit. It consists of a beautiful garden and a stone mandapam.

On the northern side are temples to Thayar (Ranganayaki), Narasimha and others. We worshipped at both. 

There is a special game you can play near the temple of Venugopala here. Standing at a marked position, you are supposed to bend over and insert the fingers of your right hand into five holes in the floor. If you can see the Paramapada Vasal (a gate into the main temple) of Namperumal while standing in this position, you are apparently eligible for moksham!

On the eastern side one can see shrines to Kodandapani, Pattabhirama and Balagopala. At the southeast corner is the shrine of Ramanujacharya, where his mummified udal is kept to this day.

Amazed at what we had seen, we had forgotten all about food and water. By then it was past 9am and we were ready to eat. Over dosas and filter coffee, we decided to visit the Rock Fort temple in Trichy next.

Malaikottai—Thayumanavar and Uchipillaiyar

This is perhaps the oldest structure in the city of Tiruchirapalli. Malaikottai is a giant rock monument consisting of a number of shrines. Leaving our stuff at the bottom, we slowly climbed upwards through the inside of the rock-cut fort.

The most well-known shrine in this complex is that of Thayumanavar, or Matrubhuteswara. He is an aspect of Sadashiva. The story goes that Shiva appeared in disguise as a woman's mother to be a midwife for his devotee, who was stranded on the wrong side of the Kaveri when her water broke. Hence Thayumanavar—'he who also became a mother'. He dwells here in the company of Sugandhi Kuntalambal, Parvati.

The summit of the hill is a temple to Ganapati, called Uchipillai here. This is also connected in some way to the episode of the establishment of Srirangam. I am not sure of the exact sthala charitram.

Closing notes 

I never imagined this journey to be possible. The initial idea to visit Chidambaram occurred to Neeraj and me in November, when we visited Kanyakumari and were standing at the ticket counter on our way back. I wanted to go right then as a spontaneous trip, but Neeraj recommended that we plan a bit and go later, with more people. That was a good idea.

Eventually, we saw that returning to Kerala from Chidambaram was not possible without an exchange train. I suggested Srirangam for an exchange, and so we fixed that. Basil said he wanted to visit Thanjavur, increasing the number of destinations to four.

My first darshanam of Thillai Chidambaram is something I vividly remember down to the last detail. The incident was like Vishnu leading me to Paramashiva. It spoke to me at a spiritual, personal level. 

We know of many preachers and religious scholars today who bring their respective ideas to the masses through speeches and writings. I have little faith in them. To me, God is a deeply personal experience. It is impossible to talk about God when the speaker and listener have no emotional connection with each other. It is only through love, the strongest and most fiery emotion, that one man can talk to another about God. I think this is precisely what we experienced during this journey, and I am very grateful for it.

With Uchipillaiyar's darshanam, our teerthatana had come to an end. It was a weekend like no other, and one that we will keep talking about for a while.

Until next time,

Om Namo Narayanaya šŸ™

Aravindan

Kshetra Yatra Day 2

The train that we were on, the Tiruchendur-Chennai Superfast, pulled into Chidambaram station at the break of dawn. Our second-class compartment was mostly empty by then. Walking around the town of Chidambaram, we asked a shop about a place where we could freshen up. The man directed us to a lodge. The place he recommended declined us, but empathetically directed us to another. We booked a room there for around two hours to shower and get ready.

Sannidhis in the Nataraja Temple 

From there we headed straight to the south gopuram of the grand temple. Adorning the inner walls of this gate were reliefs depicting Indian dance. Thillai Chidambaram is Natarajar, the lord of the dance. We left our bags and footwear outside and walked in. Seeing the vimanas of the grand sabhas as soon as we walked in was a profoundly spiritual experience.

We first worshipped Dakshinamurti, whose sannidhi is immediately in front of the south gopuram. Dakshinamurti is a bhāvam of Shiva representing wisdom and knowledge. Walking anticlockwise, we then worshipped Mukkuruni Vinayakar, who is Ganapati. Then was the sannadhi of Murugan in the company of Valli and Devasena. Reaching the north-western end of the temple, we saw the Sivagangai Theertham, the main temple tank. On this side, there are two large koyils to Sivakama Sundari Amman  (Parvati) and to Murugan. We worshipped at both. We did two memorable things near the Sivagangai Theertham. The first was standing on top of the prakaram around the pond at a point where one could see all four of the gopurams at once. The second was visiting the small temple of Durga popularised by the song 'Chinnanchiru Pen Pole...' (sivagangai kulatharike, sri durgai sirith irippaal).

Onwards in our pradakshinam, we saw the Aayiram Kaal Mandapam, held up by 1000 ornate granite pillars. This was formerly used as a chavadi, a resting place, for pilgrims. It is now closed, unfortunately, as was the entrance to the circuit around the temple tank. We then decided to receive Natarajar's darshanam.

South Gopuram. Own picture.

The southern fortifications. The copper roof of Pundarika Valli Thayar is also visible. On the left, outside the ramparts, is a large icon of Nandikesha and the sannidhi of Dakshinamurthi. Photo courtesy: SJ. 


Aayiram Kaal Mandapam. Own picture.

Thillai Kanakasabhayil Aadum Prabhuvallo!

Walking into the main entrance to the inner temple from the eastern gate, we found preparations for a puja going on, blocking the way in. We then decided to turn left and visit Govindaraja Perumal instead. Prostrating before Vishnu, we saw a glimpse of a sannidhi to our left. I wondered which deity it was. It struck me like a bolt of lightning that I was looking at him, Thillai Chidambaram, the Kanakasabhapati, the lord of countless songs that I had heard over the years. He was draped in red silk when we witnessed him, so much of it that we could not see his dancing feet well. He was covered in flowers of many colours.

After we saw him, the sphatika linga abhishekam began, where dhāra (pouring of offerings from above) is performed on a crystal lingam as the faithful standing outside chanted verses from the Thevaram. We left the compound to have breakfast after this ritual had concluded.

We received Natarajar's darshanam many more times that day... six or seven in all. It shocked us, I think, that such a great source of positive energy was now so easily accessible to us. We kept going back to see him. We got to see his dancing posture clearly from below where we were standing only the last two or three times.

We ate at a small gurukulam outside the temple, near its eastern gate. It is run by a deekshitar who teaches Samskrtam and has been conducting annadanam for over 17 years. We had an enlivening conversation with this deekshitar. He gave us some bhasmam as prasadam. 

A rasika's dream come true

The moment I arrived in the town to the time we left the temple compound, my mind was overflowing with Carnatic music. There are hundreds of outstanding compositions about this temple and the deity here. I alighted the station thinking of 'Saranagatam Endru Nambi Vanden' in Gowla. Then came 'En Appan Allava?' in Punnagavarali (popularised by the 1942 movie Nandanar) and then 'Thillai Chidambarame Allamal Verillai Sothanthirame' (Ashwath Narayan on RagamalikaTV) in Kapinarayani. Walking from our hotel to the gopuram I was reminded of 'Ananda Natana Prakasham' in Kedaram (OS Thiyagarajan for Manorama Music). When seeing the impressive stone ramparts from outside the southern gate for the first time, there is only one song anyone could think of: 'Ithuvo Thillai Chidambara Kshetram?' in Sindhubhairavi (Sanjay Subrahmanyan in Philadelphia, 2021). During the last few darshanams while we were there, when I saw Nataraja's feet clearly, I immediately remembered Papanasam Sivan's 'Aadum Daivam' (idathu paadam thookki aadum daivam, nee arulvaay...).

There is a rather uncommon kriti about the small Durga sannidhi near the pond in Chidambaram, popularised by Sirkazhi Govindarajan: 'Chinnanchiru Pen Pole' by Ulunthoorpettai Shanmugam (Sikkil Gurucharan at Margazhi Maha Utsavam 2023).

Brihadeeswara Temple: the Thanjavur Periyakoil

Thanjavur is around two hours on a train from Chidambaram. We took second class tickets again and awaited the Pondicherry-Kanyakumari Express to drop us off. This train, too, was crowded, but not as crowded as last night's. 

The Periyakoyil is a bit of a walk from here, around two kilometres. The huge vimanam of the temple can be seen from far away.


The gopuram of the compound containing the Brihadeeswara Temple.

This temple is a proper castle, with a huge moat (now dry), high stone walls and other intensive fortifications.  


The Brihadeeswara Temple's vimanam. Note the elliptical top. It is a mystery how the monolithic topping to this gopuram was put there.


Almost like the moon in Paramashiva's hair.


Twilight, when the temple lights were switched on.


Nightfall in Thanjavur. Excuse my astigmatic phone camera. The moon and Venus are visible in the sky, and on the earth, the house of their ruler.

With the overwhelming visit to Thanjavur, we were tired. Autoing back to the station, we took the Cuddalore Port-Mysore Express to Tiruchirappalli Junction, getting there at around 8:30pm. We had dinner at the nearby Guru's Mess, and took a bus to Srirangam, where we had a reservation for the night. The bus journey, 30 minutes as it was, was medicine to our exhausted senses. We saw the Rock Fort temple and the Rajagopuram of the Srirangam temple as the conductor loudly blasted some of the greatest Tamil music of the past 30 years. 


The Rajagopuram as seen from in front of our hotel.

We checked into our hotel past 10 and quickly went to sleep. Neeraj and I got some work done, too.

Kshetra Yatra Day 1

My friends Neeraj Menon, Siddharth S Jayan, Ashwin Pavithran and Basil Joshua Reji began a tour of various temples in Tamil Nadu today. Our journey began at Thiruvananthapuram North station, where we boarded the Kollam-Kanyakumari MEMU to Kanyakumari Terminus. The railway line south of Thiruvananthapuram is incredibly scenic. 




The fields where Kalliyankattu Neeli once roamed. Taken around Nagercoil town station.

The beach in Kanyakumari is a mere fifteen minute walk from the railway station. We successfully evaded auto drivers and walked to the beach. There, we changed into our bathing suits and went swimming in the meeting of the Arabian Sea and the Bay of Bengal. The water in Kanyakumari is always a bright blue colour. The high tide today made for great swimming. No pictures, sadly, as all of us were in the sea together.

Kanyakumari

This bath was a purification ritual for us before our worship at the temple of Kanyakumari Amman on the seashore. This is an ancient temple in the Tamil style. It is basically a stone building consisting of a walled fort-like compound, an inner temple and finally the sanctum sanctorum. The eastern gate of this temple is almost always closed in my knowledge, open only on occasions.

Devi Kanyakumari is a beautiful deity. She was adorned in sandal paste when we received her darsanam today, her nose ring distinctly shiny as always. Kanyakumari is a special temple to me for a few reasons, despite only having visited it for the third time today.


Serious as ever.

After our worship, we had coffee and tea and a couple of bananas to satiate our hunger—we had eaten nothing save some biscuits since rushing out of our examination at 12:30pm. We then boarded a train to Tirunelveli.

Reaching the city at 7:30pm, we had dosas at Gomathi's. We walked around the city centre a while and returned to the station to catch our exchange train to the next day.


Are selfies still a thing anymore?

Nanmalai Nerathu Mayakkam

While leaving our luggage at the railway station in Tirunelveli, the man at the counter told me and Neeraj that there would be no crowd on the train we were looking to board. And he was correct, in fact it was not a crowd, but the population of an entire town that had made themselves comfortable in these two second class compartments. The hurry to get in eventually separated Neeraj and Basil from me, Ashwin and Siddharth. While they got a seat rather fast, the three of us took turns sitting on the edges of seats, squatting on the floor and standing up until Madurai. Once the train reached Madurai, the crowd reduced ever so slightly and we could find ourselves proper seats. As I write this, the crowd has more or less disappeared and we are comfortably dozing off, waiting for our destination at 6am.


Siddharth on a rather cold Tamil night.